When Profoto sent over the new B20 strobe for review, I was instantly concerned by the box that showed up at my doorstep. It was a massive and heavy cardboard box that was hiding a safely packed backpack with the light, a trigger, and the necessary charging brick. Upon unpacking, what instantly stood out was the weight. The B20 is a beefier successor to the B10 and B10X, and while there’s a lot more strobe to go around, in this review, we ask if bigger necessarily means better.
Table of Contents
The Big Picture: The B20 Dwarves the B10(X) in Size, but Little Else

Depending on your needs, the Profoto B20 will either be a welcome addition to your studio gear or a let-down in terms of the flexibility you sacrifice with the added size and weight. When placed side by side with the B10, the B20 looks ridiculously large for something that’s supposed to be the former’s successor. While the added size does offer some new features – specifically an additional sync port, larger battery pack, and the ability for users to self-replace the bulb, this is a light that’s meant to live on a stand – in studio or not. It’s not impossible to handhold and work with it, but it’s definitely not comfortable for longer periods. It may not be worth it to upgrade if what you’re really looking for is a light that can handle both studio sessions and more run-and-gun style shoots.
We’re giving the Profoto B20 three out of five stars. If you want to try one for yourself, be sure to check out the strobe on Amazon.
- Pro: High-power output capable of working in direct sunlight
- Pro: Simple UI and no-fuss sync
- Pro: Long battery life, only had to charge once over a month of regular use
- Cons: Weight, very heavy if trying to hand-hold for extended periods of time
- Cons: Profoto Connect Wireless trigger leaves a lot to be desired
- Cons: TTL on Canon cameras never seemed to work quite right, nearly useless in testing
The Profoto B20 is a Heavy Lift

When we first reviewed the Profoto B10, our Editor-in-Chief kicked off the article by saying, “When I first used the Profoto B10, I knew fully that this was the perfect light for me….” This was the expectation going into this review, and maybe I set my expectations too high. Before getting into it, it’s important to walk through the light itself, and in terms of set-up and ease of use, the B20 is just as intuitive as the B10 – it’s a light that requires very little thought when using. That’s one of the strongest features of the light, and we’re glad that this has remained consistent.

Like its larger cousin, the B30, all the Profoto B20’s controls can be fully navigated and modified by the center click wheel. Going from left to right of the rear of the light, you’ll find the modeling light power button, the settings click-wheel, and the strobe’s power button. The center control will be where you’ll be spending the most time – quickly adjusting the B20’s power output.

Handling the B20 is both a joy and a pain. Like the B30, the B20 features a rubberized textured coating around the light that makes your grip on it feel secure and robust. Also borrowing from the larger light are a sync port for wired connections and a user-replaceable flash bulb, which you could also use with modifiers that may require or work better with a bare bulb light, like beauty dishes and large grids.
Lastly, the battery pack used in the B20 and B30 is the same as the one used in the B10 and B10X, allowing you to swap batteries as needed. This is a small detail that I appreciate, as it allows you to stay within the system without having to worry about packing the right battery for whichever light you might use.

Despite intuitive controls and solid construction, the biggest downside of the entire system is the poor TTL performance with Canon cameras. In my B30 review, I shared an email that ThePhoblographer sent to Profoto, looking for some clarity on what might be causing the issues with TTL on the R5 and R3 specifically. Recently, we received a Canon EOS R1 for an upcoming review update and found that while the TTL issues aren’t as pronounced, the “power dump” issue is still very present when using the B20. This is a huge letdown, especially considering that you’re sacrificing portability for power output, which you’ll almost have to always use in manual mode if you want to ensure that reliable control over how the strobe responds.
Proof is in the Photos
Like the B30 and the B10 before it, the Profoto B20 works as a powerful light source that benefits from its 11-stop power range. Whether you need just a little bit of extra light to eliminate shadows in product photography, or enough juice to cancel out the harsh, mid-day sun, the B20 can hold it its own. That said, like the B30 (and unlike the B10), you’ll need to ensure that you carry light stands with you on any outdoor shoots (or make sure you’re using that gym membership). The light is heavy enough where it would be uncomfortable to use without one.
The following images were taken with the Profoto B20 and the Profoto Wireless Connect TTL trigger for Canon. We used the Canon EOS R5, EOS R3, and the Canon EOS R1 for the images in this gallery:
Edited Samples








Unedited Samples:












Who Should Buy the Profoto B20
For professional photographers, a reliable off-camera system is an absolute must. When you’re being paid on your ability to successfully achieve a desired look every time, you can’t afford to leave the technical nuances to chance. When it works, the Profoto B20 is able to deliver beautiful light whenever you need it. But despite its overall performance, you will find that the B20 is really meant to live in a studio setting. The size and build don’t really lend themselves well to being carried around for outdoor jobs, and the ongoing issues when used with Canon TTL mean that you’ll either be working with this strobe as fully manual light or guessing/hoping that the TTL function works. Neither of which would justify the cost of entry, unless you’re really committed to the Profoto brand.
Profoto B20 Features via Profoto
- Compact, robust and lightweight
- Profoto ECO mode – For maximized longevity
- Rubberized surface – For easy setup in any locations
- Optional handle – For easier handling
- Sync port – For wired triggering
- Powerful 40W continuous LED-light with adjustable brightness and color temperature
- User exchangeable flash tubes
- 11-stop power range
- Compatibility with 120+ Profoto light shaping tools including RFi-range
- AirX built-in
Declaration of Journalistic Intent
The Phoblographer is one of the last standing dedicated photography publications that speaks to both art and tech in our articles. We put declarations up front in our reviews to adhere to journalistic standards that several publications abide by. These help you understand a lot more about what we do:
- At the time of publishing this review, Profoto is not running direct-sold advertising with the Phoblographer. This doesn’t affect our reviews anyway, and it never has in our 15 years of publishing articles. This article is in no way sponsored.
- Note that this isn’t necessarily our final review of the unit. It will be updated, and it’s more of an in-progress review than anything. In fact, almost all our reviews are like this.
- None of the reviews on the Phoblographer are sponsored. That’s against FTC laws and we adhere to them just the same way that newspapers, magazines, and corporate publications do.
- Profoto loaned the unit and accessories to the Phoblographer for review. There was no money exchange between us or their 3rd party partners and the Phoblographer for this to happen. Manufacturers trust the Phoblographer’s reviews, as they are incredibly blunt.
- Profoto knows that it cannot influence the site’s reviews. If we don’t like something or if we have issues with it, we’ll let our readers know.
- The Phoblographer’s standards for reviewing products have become much stricter. After having the world’s largest database of real-world lens reviews, we choose not to review anything we don’t find innovative or unique, and in many cases, products that lack weather resistance. Unless something is very unique, we probably won’t touch it.
- In recent years, brands have withheld NDA information from us or stopped working with us because they feel they cannot control our coverage. These days, many brands will not give products to the press unless they get favorable coverage. In other situations, we’ve stopped working with several brands for ethical issues. Either way, we report as honestly and rawly as humanity allows.
- At the time of publishing, the Phoblographer is the only photography publication that is a member of Adobe’s Content Authenticity Initiative. We champion human-made art and are frank with our audience. We are also the only photography publication that labels when an image is edited or not.
More can be found on our Disclaimers page.
