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Cameras

Sony RX1R Mk III Review: Read This Before You Buy It

Chris Gampat
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Last updated on 07/28/2025
07/28/2025
13 Mins read
A hand holding a black Sony RX1R camera near a window with soft daylight.
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Like many of you, I was waiting so very patiently for the Sony RX1R Mk III. At the last Sony Kando trip I attended, I even spoke with them about what the camera needed. So for a few years, I knew that Sony hadn’t given up on this camera and that I knew that it was coming. But I didn’t know when the announcement would come. In 2025, though, Sony is one of the companies that seems to be acknowledging that high-end premium point-and-shoot cameras are a thing that people actually will drop their credit card down for. With a 61.1MP sensor at the heart behind a 12-year-old lens, Sony’s cameras have never had so much character. And trust me, that’s something that photographers are bound to love.

The Big Picture: Sony RX1r Mk III Review Conclusions

Throughout this entire review, I’ve been asking myself one question: Was the Sony RX1R Mk III worth the wait? And if I’m being my honest self, I have to say this: I don’t think so. The lack of weather resistance affects the battery life in ways that don’t make it last very long.

During that short period of time, you’ll enjoy how the autofocus works in most conditions, how small the camera is, and how beautiful the image quality is. Without loading the Leica looks onto the Leica Q3, the RX1R Mk III has much better image quality when you’re not pixel peeping. However, if you compare it to the Leica Q3 43, I’d choose the 43 any day. It does an immensely better job. Compared to the Fujifilm GFX 100RF, I’d choose the RF over the RX1R Mk III. But if I had to choose any of these three, it would still probably be either the Q3 or the Q3 43. None of these cameras are winning awards for autofocus, and instead, it’s all just about image quality.

  • Bad battery life: this is the same battery in the Sony a7 original
  • Lacks weather resistance
  • Beautiful film simulations
  • Nice, highly detailed images
  • Small size
  • I love that Sony used a lens that someone might call “Retro” at this point.
  • Good autofocus when you’re in good lighting. But once the lighting gets very dim and it’s hard for you to see your subject, the camera will have issues too.
  • I adore how pocketable this camera is.
  • Pretty pricey

In a previous talk with the engineers, I also requested a built-in SSD of some sort to act as a backup for the single SD card slot otherwise.

Let’s be frank here: This isn’t a bad camera. But it’s an overpriced camera that’s bound to capture your heart. If you’re into polycamerous relationships and know that one camera or one camera system can’t do everything for you, then you’ll have no issues buying this thing. But if you want better durability and reliability, you’re probably going to return it.

Rating: 3 out of 5.

We’re giving the Sony RX1R Mk III 3 out of 5 stars. The reason for this is because the lack of weather resistance can’t fix its biggest problem. We waited such a long time for this camera to come, and I’m a bit shocked that this is what we got. At the same time, camera brands these days seem to be giving me half and half when I ask for cream.

Want one? Check this camera out on Amazon.

Buy Now: Usually $5,098

Experience: Is it Worth $5,098?

A black Sony RX1 camera with a Zeiss lens sits on a light wooden surface with its strap attached.
Sony Rx1R Mk III product image

First off, I need to talk about the battery life. It’s bad. For those of you who don’t realize it, the battery in the Sony RX1R Mk III is the same battery that was in the ORIGINAL SONY A7 camera. We reviewed that camera back in 2013. That also means that it’s a different battery from what we’ve seen from the original Sony a9 that’s present in every other Sony ILC camera meant for photographers today.

I expressed how bad the battery life was with a friend of mine from the Queens County Bird Club. “Camera batteries are affected by everything,” my buddy Ian, while we were birding.

I responded with, “Yeah, if it’s too cold, they hate it. If it’s too hot, they hate it.”

Now, let me be a bit more clear here. People who use only Sony cameras think that their battery life is good. But I can tell you some real, hard facts:

  • The Nikon Zf can last me nearly a week
  • The Leica SL2s with the new battery is positively incredible
  • The LUMIX S series of cameras can last me almost an entire gig without needing to change batteries more than once
  • Canon’s battery life used to be incredible. And you can still get this with the original Canon EOS R.

Sony’s battery life really isn’t all that good. We’re nearly at the point where we were when you had to buy a Sony camera and like 5 batteries at a time.

To that end, the battery life absolutely sucks. I believe part of that deplorable battery life has to do with its lack of weather resistance.

Make no mistake, the Sony RX1R Mk III is the camera that you will want to bring everywhere with you – if you don’t care about weather resistance and if you’ve always got a camera bag with you. But during my time with the camera, the NY summer decided to have its way with us and pulled more gotcha moments on us than I’ve ever experienced in my 38 years on earth and living in this city.

I wouldn’t ever want to bring the Sony RX1R Mk III with me everywhere simply because of this reason. But if it boasted weather resistance, I’d be all in with this camera.

On top of that, we need to talk about the lack of image stabilization – which I’m head over heels in love with. It means you need to undo the bad habits that Sony has made photographers do for years.

A black digital camera with a lens and strap is placed on a wooden surface.
Sony Rx1R Mk III product image
A black digital camera with a strap rests on a wooden surface next to some debris.
Sony Rx1R Mk III product image
A Sony digital camera with a strap rests on a wooden surface in bright light.
Sony Rx1R Mk III product image
A black digital camera with a strap rests on a wooden surface near a window.
Sony Rx1R Mk III product image
A black Sony camera with a lens and strap rests on a wooden surface in bright light.
Sony Rx1R Mk III product image

Quite transparently, one of the absolute worst colleagues I’ve ever had convinced me to stop using the AF-S mode and instead just switch to AF-C for everything. But using the RX1r Mk III brought me back to an organic version of myself that never forgot the good habits I instilled as a photographer. When I was shooting a photo at a slow shutter speed, it was blurry. That’s because I was in AF-C mode. When I switched to AF-S, that problem stopped. The lens kept trying to focus at all times. But it didn’t need to. To that end, I shot an image at 1/15 and the slowest I’ve gone down to without any stabilization aids is 1/5th without the effects of camera shake on the image. Better yet, I had a crystal clear photo.

That is only possible if you’re a skilled photographer with the experience to do the things where you don’t need to rely on the technology. As Iron Man has told Peter Parker, “If you’re nothing without the suit, you don’t deserve to wear it.”

Truly, this is an experienced photographer’s camera. More specifically, this is Sony’s pricey gift to photographers that isn’t perfect; but it also isn’t even leaning into its flaws and embracing what it is the way someone would do if they went to therapy.

It’s basically the a7r V crammed into a tiny body with a lens that’s older than the functional memory of some members of Gen Z.

With this in mind, this camera isn’t meant for everyone. If you’re complaining that the image stabilization isn’t there because you’ve got shaky hands due to some sort of condition, then perhaps go for something else like the LUMIX S9. If you’re complaining about the lack of weather resistance, know that the Q3 and GFX 100RF also exist. In fact, those cameras are what I’d lean towards anyway.

You might think that this is a camera that I’d want to test in every single lighting scenario. But really and truly, I don’t want to. It’s basically the a7r V crammed into a tiny body with a lens that’s older than the functional memory of some members of Gen Z. For that, I’d love it for how fussy it can be. And this is the only situation where I’d love it as such. You see, the a7r V is meant to do real work. And the a7C R that came after it is supposed to do some sort of functional work. But this? It’s meant for you to point, shoot, and admire the images. If you set it to AF-S and the center focus point with square format, you’ll never be disappointed. But even when setting the camera to AF-C and choosing to focus and recompose, it did a fine enough job.

Now here’s the shocker, in low lighting and with the autofocus illuminator set to the “off” position, it still found me in low light. I’m talking at 1/25th, ISO 6400, at f2 in aperture priority and Live View Setting effect enabled. It was able to find me pretty easily. But the moment I turned the setting effect off and underexposed the scene by a stop, suddenly it wasn’t autofocusing on my eyes anymore in low light. Human detection has only gotten much better with the Sony a1 Mk II.

This is, at best, a problematic camera meant for travel photography in good lighting with good weather.

But the moment that changes, like nearly everything else Sony makes, it bails on you.

But when you get down to it all, the image quality is quite a vibe. There’s something about this that reminds me of when I first started this site and reviewed early Sony Mirrorless cameras. I’m talking about like the NEX C3 from 2011 for example.

Image Quality

For some odd reason, the large jpegs only get to 40MP. Not the full 61MP — and I’m not sure why that is.

With that aside, I adore the film simulations a whole lot. I can’t really tell what films they’re trying to copy – if anything I’d say that it’s Superia at times and PRO 400H at other times. But the images look and feel very good. By that, I mean the JPEG files.

In fact, if I bought this camera, I doubt that I’d ever want to edit the RAWs unless I feel like there’s an image that I really wanted, but the camera wasn’t giving it to me.

And therein lies my problem. If the autofocus is problematic at times, and the weather resistance is nonexistent, you’re not setting yourself up to make this the single best Sony JPEG camera on the market that you’d really want to bring everywhere with you.

But when you get down to it all, the image quality is quite a vibe. There’s something about this that reminds me of when I first started this site and reviewed early Sony Mirrorless cameras. I’m talking about like the NEX C3 from 2011 for example. Sometimes it can deliver images quality like that but with more resolution. And that’s something that I find myself charmed by over and over again.

If you’re not aware, old Sony cameras are quite a vibe — so much so that we made them part of our Retro Digital presets.

Part of that may quality also be from the lens. This is a lens made during a time when no one cared about or complained about onion ring bokeh. Quite frankly, I remember the Reddit post that first made people pay attention to it. And shortly after that, Sony released lenses that got rid of it. My theory is that Sony might’ve planted a thought in consumers’ minds, but I can’t prove that. My conspiracy theories aside, the lens has onion ring bokeh – and it’s every bit as delicious as onion rings can be over plain old French fries.

The following images were not edited. Note that I mostly chose to shoot in square format because I wanted to truly embrace this camera as something that I’d shoot just for me.

Upside-down horseshoe crab with visible legs and tail lying on sandy beach.
Sony RX1R Mk III sample image
Boxes of yellow peaches and donut peaches for sale at a market, with avocados and mangoes in the background.
Sony RX1R Mk III sample image
White car parked in an empty lot on a rainy day, under a cloudy, overcast sky with wet pavement.
Sony RX1R Mk III sample image
Cloudy sky over a calm beach with seagulls scattered on the sand near the water.
Sony RX1R Mk III sample image
Three pairs of shoes near a jellyfish washed up on sandy beach, surrounded by seaweed and footprints.
Sony RX1R Mk III sample image
Tall green grass growing in patches on sandy soil under a cloudy sky, with fields stretching into the distance.
Sony RX1R Mk III sample image
Four orange traffic cones block off a small tree on a city sidewalk in front of a brick townhouse.
Sony RX1R Mk III sample image
Three people carrying tripods and cameras walk down a sandy path toward water, surrounded by greenery.
Sony RX1R Mk III sample image
A cloudy, rainy day at a deserted roadside with wet pavement and overgrown plants.
Sony RX1R Mk III sample image
A sandy path through tall green grass leads to a beach with calm water under a cloudy sky.
Sony RX1R Mk III sample image
A beige chair with black legs sits abandoned in a garden, partially surrounded by overgrown bushes.
Sony RX1R Mk III sample image
Tall trees with dense green foliage frame a white building in the background under a partly cloudy sky.
Sony RX1R Mk III sample image
Five hot dogs grilling over an open flame on a round barbecue grill.
Sony RX1R Mk III sample image
Overgrown yard and Keep Out sign in front of a house with a tree partially obscuring the front door.
Sony RX1R Mk III sample image
Close-up of a hand holding a Nikon COOLPIX P1000 camera with water droplets on its surface.
Sony RX1R Mk III sample image
A historic white house with black shutters behind a black metal fence and green trees on a sunny day.
Sony RX1R Mk III sample image
A light blue wooden church with arched windows and a circular stained glass above the entrance.
Sony RX1R Mk III sample image
Modern church with tall, orange-tinted glass steeple and cross against a pale sky.
Sony RX1R Mk III sample image
Modern glass high-rise behind an older brick building with business signs, under a clear sky.
Sony RX1R Mk III sample image
Tree branches with green leaves framing a blue sky with some clouds, viewed from below.
Sony RX1R Mk III sample image
A tree with green leaves stands on a city sidewalk near benches, with people sitting and buildings in the background.
Sony RX1R Mk III sample image
A large metal shackle lies on train tracks with wooden planks in sunlight.
Sony RX1R Mk III sample image
Cars drive under an overpass in a city with shops and trees lining the street on a cloudy day.
Sony RX1R Mk III sample image
Busy city street under an elevated train track, with traffic lights and cars at the intersection.
Sony RX1R Mk III sample image
A brick apartment building and street at dusk, with clouds and a pink-blue sky overhead.
Sony RX1R Mk III sample image
A city sidewalk bordered by tall buildings and metal fire escapes, with people walking in the distance.
Sony RX1R Mk III sample image
Street scene in Flushing, Queens with shops, signs in Chinese, pedestrians, and a person riding a scooter.
Sony RX1R Mk III sample image
A gravel path stretches through green vegetation under a cloudy sky.
Sony RX1R Mk III sample image
Close-up of a cheeseburger with grilled onions, melted cheese, and a soft bun in a paper tray.
Sony RX1R Mk III sample image
String of small American flags and lights hanging from a tree in front of a building labeled The Beekeeper.
Sony RX1R Mk III sample image
Two old bicycles with baskets overgrown with green plants are parked on a city sidewalk.
Sony RX1R Mk III sample image
A city sidewalk under an elevated train track with crosswalks, shops, and a parked car.
Sony RX1R Mk III sample image
A can of Diet Coke on a red and white checkered table by a window.
Sony RX1R Mk III sample image
Garlic rolls in foil on a paper plate with a drink can and napkins on a tray, on a checkered table.
Sony RX1R Mk III sample image
A cheeseburger and a box of seasoned fries on a tray with a receipt beside them.
Sony RX1R Mk III sample image
A beige house with a gated entrance next to a multi-story brick building with window air conditioners.
Sony RX1R Mk III sample image
City street scene with parked cars, shops, and a large tree at the end of the road, viewed under a bridge.
Sony RX1R Mk III sample image
A tree-lined urban street with parked cars on both sides and buildings in the background.
Sony RX1R Mk III sample image
A city street lined with parked cars and brick apartment buildings on both sides, under a cloudy sky.
Sony RX1R Mk III sample image
Green shrubs and trees with a distant view of water under a cloudy sky.
Sony RX1R Mk III sample image
Two stacked Boutinot wine boxes on a wooden bar counter in a colorful, dimly lit setting.
Sony RX1R Mk III sample image
A bouquet of pink roses in a vase beside a lit lamp, with a blurred background of a café or restaurant.
Sony RX1R Mk III sample image
A can of J.K.s Scrumpy Hard Cider sits on a wooden table in a softly lit bar or café.
Sony RX1R Mk III sample image
A cocktail glass with a brown drink on a wooden bar, with blurred lights in the background.
Sony RX1R Mk III sample image
Large rock in a sunny park with green trees and people sitting on benches in the background.
Sony RX1R Mk III sample image
Multiple train tracks and platforms with a station in the background under a cloudy sky at sunset.
Sony RX1R Mk III sample image
A view looking up at a light-colored, multi-story house with several windows and an air conditioner.
Sony RX1R Mk III sample image
A black fire hydrant with stickers, attached to a red hose, stands on a city sidewalk near the street.
Sony RX1R Mk III sample image
People sit outside a modern building with CIVIL COURT above the entrance on a sunny day.
Sony RX1R Mk III sample image
A green cactus with long yellow spines in a black pot on a windowsill, with trees visible outside.
Sony RX1R Mk III sample image
Tall, modern glass building against a cloudy sky, viewed from a low angle in black and white.
Sony RX1R Mk III sample image
A weathered horseshoe crab shell lies on sandy beach, surrounded by faint footprints.
Sony RX1R Mk III sample image
Green shrubs and tree in front of a brick wall with a window covered by metal bars.
Sony RX1R Mk III sample image
Cloudy sky framed by dark silhouettes of tree branches in the corners.
Sony RX1R Mk III sample image
A crumpled plastic bag under a bench on a shiny, speckled black floor.
Sony RX1R Mk III sample image
A square slice of pizza with tomato sauce, basil, and melted cheese on a white paper plate.
Sony RX1R Mk III sample image
Seasoned French fries piled together in a container, showing a crispy golden-brown texture.
Sony RX1R Mk III sample image
Street signs for Roosevelt Ave and 63rd St under elevated train tracks, photographed from below.
Sony RX1R Mk III sample image
Two women walk arm-in-arm on a city sidewalk near graffiti and an elevated train track.
Sony RX1R Mk III sample image
A city street lined with parked cars and a 20 MPH speed limit painted on the road.
Sony RX1R Mk III sample image
Three-story brick building with cars parked in front and business signs by the entrance.
Sony RX1R Mk III sample image
Two cars parked on a city street in front of a closed brick storefront labeled KAVKA FACTORY OUTLET.
Sony RX1R Mk III sample image
Two tall city buildings in silhouette against a cloudy sky, with a train passing in the foreground.
Sony RX1R Mk III sample image
Two blue and green shark-shaped water guns lying on wet asphalt.
Sony RX1R Mk III sample image
Tall tree with green leaves stands among bushes and flowers, with parked cars visible in the background.
Sony RX1R Mk III sample image
A blue portable toilet stands on sandy ground near greenery, with a rainy street and parked car in the background.
Sony RX1R Mk III sample image
A cozy living room with a green sofa, plants by the window, and a patterned pillow on a floor mat.
Sony RX1R Mk III sample image
A white herbs & kettles box lies upside down on a tiled floor next to a potted plant.
Sony RX1R Mk III sample image
Silhouette of leafy tree branches against a cloudy sky.
Sony RX1R Mk III sample image
Calm shoreline with gentle waves, seaweed, and pieces of driftwood under a cloudy sky.
Sony RX1R Mk III sample image
Green tree branches with leaves reaching upward against a partly cloudy blue sky.
Sony RX1R Mk III sample image
Sandy dune with sparse grass and a cloudy sky, with a tree branch reaching in from the left.
Sony RX1R Mk III sample image
A person stands on a sandy hill with shrubs and trees under a cloudy sky.
Sony RX1R Mk III sample image
Apartment building with balconies and graffiti, including a large blue pixelated heart, on a cloudy day.
Sony RX1R Mk III sample image
Sandy path surrounded by green bushes and trees under a cloudy sky.
Sony RX1R Mk III sample image
A pile of trimmed branches and leaves stacked on a city sidewalk near a trash can.
Sony RX1R Mk III sample image
A person walks along a sandy beach with tall grass under a cloudy sky.
Sony RX1R Mk III sample image
Sandy beach with scattered seaweed and debris, with a distant bridge and cloudy sky in the background.
Sony RX1R Mk III sample image
Sandy, shell-covered beach with green grass and trees in the distance under a blue sky with clouds.
Sony RX1R Mk III sample image
Five leafy trees stand on a sandy beach with grasses under a cloudy, overcast sky.
Sony RX1R Mk III sample image
A group of people with cameras and binoculars birdwatching on a beach near the water’s edge.
Sony RX1R Mk III sample image
A sandy beach with exposed plant roots and greenery on a low, eroded dune under a cloudy sky.
Sony RX1R Mk III sample image
A cloudy day at a quiet beach with a few birds, two people, and scattered trash on the sand.
Sony RX1R Mk III sample image
Person taking a selfie on a sandy beach with cloudy skies and a bridge in the background.
Sony RX1R Mk III sample image
Person standing on a sandy beach near tall grass, looking at the cloudy sky through binoculars.
Sony RX1R Mk III sample image
Person standing on a sandy beach looking through binoculars at the water under a cloudy sky.
Sony RX1R Mk III sample image

This section will be updated once Capture One supports the RX1R Mk III.

Sony RX1r Mk III Tech Specs and Features

  • 61.1MP full-frame sensor sporting an anti-reflection coating
  • The latest BIONZ XR processor
  • 35mm f2 Zeiss Sonnar T* lens
  • AI processing unit onboard that’s comparable to higher end Sony Alpha cameras
  • 693 Phase detection autofocus points covering around 78% of the image capture’s area
  • 20cm close focusing
  • 12 built in Creative looks
  • 2.36 million-dot XGA OLED electronic viewfinder. According to our Sony RX1R Mk II review, that’s the same resolution.
  • $5,098 USD.

Declaration of Journalistic Intent

The Phoblographer is one of the last standing dedicated photography publications that speaks to both art and tech in our articles. We put declarations up front in our reviews to adhere to journalistic standards that several publications abide by. These help you understand a lot more about what we do:

  • At the time of publishing this review, Sony is NOT running direct-sold advertising with the Phoblographer. This doesn’t affect our reviews anyway and it never has in our 15 years of publishing our articles. This article is in no way sponsored.
  • Note that this isn’t necessarily our final review of the unit. It will be updated, and it’s more of an in-progress review than anything. In fact, almost all our reviews are like this.
  • None of the reviews on the Phoblographer are sponsored. That’s against FTC laws and we adhere to them just the same way that newspapers, magazines, and corporate publications do.
  • Sony loaned the unit and accessories to the Phoblographer for review. There was no money exchange between us or their 3rd party partners and the Phoblographer for this to happen. Manufacturers trust the Phoblographer’s reviews, as they are incredibly blunt.
  • Sony knows that it cannot influence the site’s reviews. If we don’t like something or if we have issues with it, we’ll let our readers know.
  • Sony paid for shipping the camera to us and will be paying for the return shipment. This is a standard practice in the world of journalism.
  • The Phoblographer’s standards for reviewing products have become much stricter. After having the world’s largest database of real-world lens reviews, we choose not to review anything we don’t find innovative or unique, and in many cases, products that lack weather resistance. Unless something is very unique, we probably won’t touch it.
  • In recent years, brands have withheld NDA information from us or stopped working with us because they feel they cannot control our coverage. These days, many brands will not give products to the press unless they get favorable coverage. In other situations, we’ve stopped working with several brands for ethical issues. Either way, we report as honestly and rawly as humanity allows.
  • At the time of publishing, the Phoblographer is the only photography publication that is a member of Adobe’s Content Authenticity Initiative. We champion human-made art and are frank with our audience. We are also the only photography publication that labels when an image is edited or not.

More can be found on our Disclaimers page.

Sony RX1R Mk III Review: Read This Before You Buy It
et’s be frank here: This isn’t a bad camera. But it’s an overpriced camera that’s bound to capture your heart. If you’re into polycamerous relationships and know that one camera or one camera system can’t do everything for you, then you’ll have no issues buying this thing. But if you want better durability and reliability, you’re probably going to return it. We’re giving the Sony RX1R Mk III 3 out of 5 stars. The reason for this is because the lack of weather resistance can’t fix its biggest problem. We waited such a long time for this camera to come; and I’m shocked that this is what we got.
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Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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