Last Updated on 10/24/2025 by Chris Gampat
“This is a beautiful camera,” said a Gen Z bartender to me while sitting next to me and waiting for her shift to start. Her name is Steph, and she was playing with my Panasonic LUMIX S9 with the TTArtisan 40mm f2 attached to it. It was fascinating to watch her sit here, play with it, and be in awe of it. Typically, this is something I only see with younger women photographers. But this year, with cameras like the Fujifilm X Half, I’ve seen more and more younger women want look at certain cameras as objects of desire. And if anything, I think Steph’s reaction to the camera and lens packaged together is exactly what we’ve been wanting for a while. The L-mount alliance has really been lacking a proper small lens with autofocus. Finally, it’s here.
Table of Contents
The Big Picture: TTArtisan 40mm f2 Review Conclusions
The TTArtisan 40mm f2 lens is truly something special in so many different ways. It’s small, lightweight, fast to focus, and it makes you really want to bring a small camera like the Panasonic S9 with you everywhere. Sure, I wish it had weather resistance. But I also wish that S9 had weather resistance.
This lens is a gem in every single way. It’s sharp, contrasty, has character in the form of lens flare, and it’s reliable — all in a niec metal build.
- It’s so much smaller and faster to focus than Sigma’s 45mm f2.8.
- Very fast to autofocus
- Even when using for live-streaming, people will say that this lens is sharp
- The aperture ring has a very satisfying click
- So small that I can easily bring it everywhere with me
- I really wish that they made it just a bit bigger and gave me weather resistance throughout the entire lens body
- Japanese manufacturers would never make anything this affordable, and that’s saying something.
Besides the lack of weather resistance, I really don’t have a major complaint about this lens. Don’t get me wrong, this is an important thing. With the way that big businesses have been abusing the environment, I can’t really ever predict how the weather really will be in terms of rain and all. Sometimes it seems like even the weather app on my phone can’t do it either.
Because of this, we’re giving the TTArtisan 40mm f2 four out of five stars. Want one? Check it out on Amazon.
Experience
When you take the TTArtisan 40mm f2 out of the box, you’re treated to this little cold feeling gem. Then you mount it to your camera and you’re bound to say something like, “Yeah, that’s what I’ve been waiting for.” Indeed, this is an insanely and highly anticipated lens. It’s beautiful holistically.
I basically never wanted to take it off the Panasonic LUMIX S9. In fact, I don’t think I did so at all throughout this duration of this review. I mean, why would I do that? It’s such a perfect pairing.






The autofocus performance of the TTArtisan 40mm f2 on the S9 is really solid — but it did make me realize a bunch of other things that I have only been leaning into more recently when doing camera tests. In the AF-C mode, LUMIX cameras and pretty much everyone else does really well — especially with scene detection/AI activated. But if you turn off scene detection and set the camera to AF-S, then the autofocus starts to suffer, a lot. In fact, it feels a bit archiac.
In most cases, we’d traditionally blame third parties. But that’s not the case here. The L-mount alliance is very open about the information coming through the mount. And it happens with Panasonic, Leica, and Sigma lenses alike. This has even been the case with the new LUMIX S1R II, which I recently purchased.
Most of the time using the TTArtisan 40mm f2 was spent with the camera and lens set to program auto or aperture priority. And then shooting became a simple point and shoot affair. Honestly, it’s hard to ask for something better except if it’s smaller and weather resistant with a fast aperture.
Image Quality
The overall image quality is very sharp throughout the entire frame. I used it with the Leica SL2s for a streaming call with my friend and our entire staff. All of them commented on how sharp the lens was but how it was lacking character compared to the Leica SL lens I typically use instead.
But for photography, all you need to know is that the images are sharp and that there’s lens flare and character that comes through in a way that I wish that Sony understood that they need to do. The bokeh is also really nice. But most of all, what you’re going to love is that when you combine it with the Real Time LUtT feautre on LUMIX cameras, you’ll get photos that you’re going to want to stare at. The same goes for other brands.
The following images were edited.



















The following images are JPEGs straight from the camera and resized for our website.









Tech Specs
These specs are taken from the official web page.
| Focal length | 40mm | Maximum aperture | F2 |
| Closest focus distance | 0.4m | Minimum aperture | F16 |
| Frame | Full Frame | Diaphragm Blades | 7pcs |
| Filter size | 52mm | Optical Design | 9 Elements in 6 Groups |
| Angle of view | 57° | Focus method | AF |
| Weight | Around 167~176g | Mount | E、Z、L |
Declaration of Journalistic Intent
The Phoblographer is one of the last standing dedicated photography publications that speaks to both art and tech in our articles. We put declarations up front in our reviews to adhere to journalistic standards that several publications abide by. These help you understand a lot more about what we do:
- At the time of publishing this review, TTArtisan isn’t running direct-sold advertising with the Phoblographer. This doesn’t affect our reviews anyway and it never has in our 15 years of publishing our articles. This article is in no way sponsored.
- Note that this isn’t necessarily our final review of the unit. It will be updated, and it’s more of an in-progress review than anything. In fact, almost all our reviews are like this.
- None of the reviews on the Phoblographer are sponsored. That’s against FTC laws and we adhere to them just the same way that newspapers, magazines, and corporate publications do.
- I bought this lens personally without a discount
- The Phoblographer’s standards for reviewing products have become much stricter. After having the world’s largest database of real-world lens reviews, we choose not to review anything we don’t find innovative or unique, and in many cases, products that lack weather resistance. Unless something is very unique, we probably won’t touch it.
- At the time of publishing, the Phoblographer is the only photography publication that is a member of Adobe’s Content Authenticity Initiative. We champion human-made art and are frank with our audience. We are also the only photography publication that labels when an image is edited or not.
More can be found on our Disclaimers page.
